“Mirko Vučinić showed up to the first day of soccer season this summer with a mustache. It was a thin one, and it made him look like a character out of an Italian neorealist homage to the dignity of the working class—handsome and proud, and heroic because ultimately he is up against forces that are far too great for him to succeed. Vučinić is the starting striker for Juventus, Italy’s Serie A defending champion. To date, though, he may be most famous for dropping his shorts, placing them on his head, and running around the pitch in his underwear after he scored a goal in an international match against Switzerland in 2010. You likely wouldn’t see that in an Italian neorealist film. But that’s all right, because Vučinić isn’t Italian. He’s Montenegrin, and Montenegro has a story of its own.” The Paris Review – 1
Offsides, Part 2
“Like Savićević, the Croatian Zlatko Kranjčar, fifty-six, had been a successful, offensive-minded player in his day, and one who understood the importance of international soccer. Nearing the end of his career in 1990 at the age of thirty-four, Kranjčar captained Croatia’s first national game of its post-Yugoslavia era. As a coach he led the Croatian national team into the 2006 World Cup. He had experience, and a lot of it. When Savićević hired him in 2010 as Montenegro’s new manager, it was Kranjcar’s eighteenth year of coaching and his twentieth job.” The Paris Review – 2
Scissors Kick 