“They say one of the key ingredients to many great double acts is the combination of different stage personas; every Morecambe needs his Wise, every Costello needs his Abbott, every Ball needs his Cannon – OK, maybe not that last one. The same principal can easily be applied to footballing spheres; striking partnerships with one flamboyant, crowd-pleasing protagonist and the other who does the hard, thankless yards or the managerial duo who often assume the good cop/bad cop roles for their players and the media – the obvious example being Peter Taylor’s straight man complimenting the often volatile, always charismatic Brian Clough.” The Football Pink
Harry Catterick – the straight man
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