“This moment from Point Omega kept coming to me yesterday during the Brazil versus North Korea match. Not only for the suspense that was ‘trying to build,’ but for the curious fact that I was sitting in a white-cubed art gallery, my eyes fixed mainly on the projected match but occasionally straying over to another screen, this one showing Douglas Gordon’s Zidane: A 21st Century Portrait, the film, made with Phillipe Pareno, that famously tracked Zidane — and Zidane only — with 17 cameras over the course of a match.” (TNR)
On “Men With Balls”
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