“In Maputo, the ‘Garden for Sculptors’ behind the Museu Nacional de Arte on Avenida Ho Chi Minh has become a kind of prison yard for Mozambique’s various Ozymandiases, a semi-public dumping ground where colonial monuments now crumble quietly away. A marble European baroness reclines in thick robes, the grasses growing up around her base. Both of her arms have been lopped off, but her amputated left hand still touches the midriff of a black male slave crouched in a loincloth by her side. Nearby, a decapitated Lady Justice presides over a small patch of weeds and bare earth. No longer public art, but not quite garbage, these are the monuments which were extracted like rotten teeth from the city’s squares and public buildings when Portuguese colonial rule finally ended, but which nobody could quite bring themselves to destroy.” Road and Kingdoms